|
It was dangerously
cold. In Minnesota terms that means your skin could freeze if you
are outside for more than a few minnutes. Yet people came with their
children, their parents, and their hearts ready for another incredible
ritual show by Kari Tauring and Friends. The interior of the Cedar
Cultural Center was completely transformed by the paintings of trees
by Maris Gilbert and the Quilts of Terri Allen.
Lights dimmed
as the cast members encircled the audience with their song Round
and Round the Earth is Turning and the directions were called. Tauring
sang a moody rendition of "The Holly and the Ivy" in a
minor key with new, original lyrics to further illuminate the relationship
of these two plants. "The Ivy clings to the holly as all of
us cling to hope, they grow in peace together feeding eachother's
souls."
All were encouraged
to see themselves as trees, with spines as the trunks and feet as
the roots, hair and hands the branches. Then we were treated to
a performance of "Imani and the Magical Bird". Puppeted
to song we followed Imani's journey from scattered inquisitive child
to centered and listening young woman. By sitting quietly in a tree
she is able to draw strength and lessons, finding the bird of wisdom
in her heart space. As the puppeteers waved like trees, the Imani
and the bird puppets magically transform into live masked dancers.
It was truly awesome.
Then, an evergreen
is brought out and the children (young and old) were called to dance
around it in the traditional Nordic style. Icelandic songs were
sung by Ken Sherman for the dancing children to conclude the first
act.
The second act
began with "Winter's Come" and a spoken word piece by
Maya Rose entitled "Epiphany." Her personal experiences
of traditional, rigid religious doctrine were likened to the potted
trees adorning the church. Each tree carefully pruned and completely
dependent on outside help to survive. Missing a tap root, these
trees are unable to communicate with one another or the divine.
In contrast, out the window there was a grove of oaks, roots and
branches entwined and able to survive any force of nature because
they were in community. She eloquently emplored us to discover our
own tap roots to the divine. It was a moving and powerful piece.
Then the trees
themselves came in. As Tauring sang her "Crone, Maiden, Mother"
the root dancer, 7 foot and 9 foot stilt dancers representing the
trunk and blossoms of the tree dazzled young and old.
The show concluded
with great power as Tauring and Maren Amdal began their Staving,
chanting, and drumming. "You flew, didn't you?" was the
question asked as Tauring whirled around the room on her little
wooden horse. "Yes," she replied, "I do believe I
had lift off."
Then the traditional
spiral dance began and everyone joined in and moved beneath the
arbor provided by the stilting trees to the song "Everyone
'Neath."
"And everyone
'neath the vine and fig tree, shall live in peace and unafraid.
And into plowshares
turn their swords, nations shall learn war no more."
It was an enchanting,
emotional and powerful show. In the end, no one noticed the cold.
|